My return to painting began with a Japanese brush laden with sumi ink. From enso as meditation practice, my art evolved into a seven year study on impermanence.
Mirroring the immediacy of my creative process and fleeting nature of reality, I have captured images of sumi paintings with my camera and thrown the original paintings away. Photos of my ephemeral abstract paintings have never been printed, framed and displayed by design.
Selections from “a study on impermanence” have been shared through social media and projected in large format with my tale of creative awakening.